𝔍𝔬𝔰𝔒𝔱𝔱𝔒 𝔅𝔯𝔦𝔱𝔱𝔬𝔫

Josette Britton

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π–žπ–”π–šπ–“π–Œ π–œπ–Žπ–’π–‡π–‘π–Šπ–‰π–”π–“ π–†π–—π–™π–Žπ–˜π–™ π–Žπ–“ π–—π–Šπ–˜π–Žπ–‰π–Šπ–“π–ˆπ–Š

𝚊𝚜 πš™πšŠπš›πš 𝚘𝚏 πšπš‘πšŽ πš›πšŽπšœπš’πšπšŽπš—πšŒπš’, @πšŽπš•πš’πš£πšŠπš‹πšŽπšπš‘.πš˜πšπšŠπš›πš›πšŽπš•πš•πš’, @πš”πšŠπšπšŽπšπš˜πš˜πš”πšŠπš™πš‘πš˜πšπš˜, @πš•πšŠπšžπš›πšŽπš—πš’πšœπšŠπš™πšŽπš—πšŒπš’πš• πšŠπš—πš 𝙸 πš‘πšŠπš πšπš‘πšŽ πšŒπš‘πš˜πš’πšŒπšŽ 𝚘𝚏 𝟺 πš˜πš‹πš“πšŽπšŒπšπšœ πšπš›πš˜πš– πšπš‘πšŽ πš–πšžπšœπšŽπšžπš–’𝚜 πšŒπš˜πš•πš•πšŽπšŒπšπš’πš˜πš— 𝚝𝚘 πš‹πšŠπšœπšŽ πš˜πšžπš› πš™πš›πš˜πš“πšŽπšŒπš πš˜πš—. πšƒπš‘πšŽ πš˜πš‹πš“πšŽπšŒπš 𝙸 πšŒπš‘πš˜πšœπšŽ 𝚠𝚊𝚜 πšπš‘πšŽ β€˜π™·πš˜πš•πš•πš˜πš πšŠπš’ π™±πš›πš˜πš˜πšŒπš‘β€™ πšŠπš πšŠπš›πšπšŽπš 𝚝𝚘 𝚁𝚘𝚜𝚎 π™»πšŠπš–πšŠπš›πšπš’πš—πšŽ 𝚈𝚊𝚝𝚎𝚜, 𝚊 πš•πš˜πšŒπšŠπš• πš‚πšžπšπšπš›πšŠπšπšŽπšπšπšŽ, πšπš˜πš•πš•πš˜πš πš’πš—πš πš‘πšŽπš› πš’πš–πš™πš›πš’πšœπš˜πš—πš–πšŽπš—πš πš’πš— π™·πš˜πš•πš•πš˜πš πšŠπš’ π™Ώπš›πš’πšœπš˜πš—. 𝙸 πšπš˜πšžπš—πš πš›πšŽπšœπšŽπšŠπš›πšŒπš‘πš’πš—πš 𝚁𝚘𝚜𝚎 π™»πšŠπš–πšŠπš›πšπš’πš—πšŽ 𝚈𝚊𝚝𝚎𝚜 πšπš›πšžπš•πš’ πš’πš—πšœπš™πš’πš›πš’πš—πš, πšŠπš—πš πš πšŠπš—πšπšŽπš 𝚝𝚘 πš™πšŠπš’ πš‘πš˜πš–πšŠπšπšŽ 𝚝𝚘 πš‘πšŽπš› πš•πš’πšπšŽ πš’πš— πš–πš’ πšπšŽπš‘πšπš’πš•πšŽπšœ. 𝙸 πšŒπš˜πš—πšœπšπš›πšžπšŒπšπšŽπš 𝚊 πšπšŽπš‘πšπš’πš•πšŽ πšπš˜πš•πš• 𝚘𝚏 𝚁𝚘𝚜𝚎, πšžπšœπš’πš—πš 𝚘𝚏𝚏𝚌𝚞𝚝𝚜/ πšœπšŒπš›πšŠπš™πšœ πšπšžπš›πš’πš—πš πšπš‘πšŽ πš–πšŠπš”πš’πš—πš 𝚘𝚏 πšπš‘πšŽ πš™πš›πš˜πš“πšŽπšŒπš, 𝚊𝚜 πš πšŽπš•πš• 𝚊𝚜 πš’πšπšŽπš–πšœ πšπš›πš˜πš– πšπš‘πšŽ @πš πš˜πš›πš”πšŠπš—πšπš™πš•πšŠπš’πšœπšŒπš›πšŠπš™πšœπšπš˜πš›πšŽ. 𝙸 πš–πšŠπšπšŽ 𝚊 πš πšŠπš•πš• πš‘πšŠπš—πšπš’πš—πš πšπšŽπšŠπšπšžπš›πš’πš—πš πšπš›πšŠπš πš’πš—πšπšœ 𝚘𝚏 πš”πšŽπš’ πš–πš˜πš–πšŽπš—πšπšœ πšπš›πš˜πš– πš‘πšŽπš› πš•πš’πšπšŽ, πš’πš—πšŒπš•πšžπšπš’πš—πš πš‘πšŽπš› πš™πš•πšŠπš—πšπš’πš—πš πšπš‘πšŽ π™Όπš˜πš—πšπšŽπš›πšŽπš’ π™Ώπš’πš—πšŽ πšœπšŠπš™πš•πš’πš—πš πš’πš— πšπš‘πšŽ πš‚πšžπšπšπš›πšŠπšπšŽπšπšπšŽ π™°πš›πš‹πš˜πš›πšŽπšπšžπš–, πšŠπš—πš πšπš‘πšŽ πšœπš™πšŽπšŽπšŒπš‘ πšœπš‘πšŽ πš–πšŠπšπšŽ πš˜πš— πš‘πšŽπš› πšŠπš›πš›πšŽπšœπš πš’πš— 𝟷𝟿𝟢𝟿. 

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Josette Britton

I am a textile artist based in Donegal and London. My heritage inspires my work, growing up with both Iraqi and Irish influences. My work is rooted in Irish folktales, translated into narrative illustrations that evoke feelings of enchantment. Sustainability underpins my practice; I work exclusively with reclaimed materials- moth eaten Irish linen, beach combed fisherman rope, charity shop jewels and beads- giving discarded textiles a second life as storytelling objects. I am inspired by the tradition of the SeanchaΓ­ and like to create drawings alongside hand embroidered puppets/textiles. With these two elements, people can share stories as if they were the SeanchaΓ­ themselves, a homage to Irish folk tradition.

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